PUBLISHED APRIL 2024
In this episode Dennis Nappi II dives into the crossroads of creativity, intuition, and consciousness with guest Josh Maitland, a musician-turned-remote viewer who blends the precision of engineering with the improvisation of music. Maitland shares how his path—from civil engineering and punk rock stages to teaching intuition at Rockstar Intuition—prepared him to explore the unseen layers of reality.
The conversation explores:
Music and Remote Viewing as Parallel Arts
Both disciplines, Maitland argues, are about tuning into frequencies—whether sound waves in a studio or subtle signals in the mind. He recalls moments of “telepathic” synchronicity in bands and draws parallels to group remote viewing, where each participant’s perspective becomes part of a larger harmony.Intuition as a Muscle
Remote viewing is described as a “gym for intuition,” where every hit or miss strengthens one’s ability to trust the subconscious. Maitland emphasizes humility in the process—learning just as much from mistakes and ego-driven misses as from accurate sessions.Future Forecasting and Personal Revelation
During the pandemic, Maitland trained in technical remote viewing (TRV), using daily newspaper photo targets to test himself. Early on, he confronted the intensity of forecasting world events and realized the importance of tasking for balance—choosing not only the “doom and gloom” but also the meaningful and uplifting.Simulation, Consciousness, and Creativity
Nappi and Maitland exchange ideas about the holographic universe, simulation theory, and Gnostic concepts—speculating whether remote viewers are “querying a database” of existence or tapping into a timeless unity consciousness. They link this to shows like The X-Files and even The Simpsons, seeing creativity itself as a form of unconscious remote viewing.Healing Through Sound
Maitland describes channeling on stage—bass guitar in hand—as indistinguishable from a remote viewing flow state. Music becomes a carrier of encoded emotion, a frequency that bypasses words and speaks directly to the body. Both he and Nappi reflect on how songs, like sessions, can act as time machines, anchoring memory and reshaping inner states.
What emerges is a conversation that’s equal parts philosophical and practical: a look at how intuition can be trained, how art and consciousness intertwine, and how the practice of remote viewing may be less about peeking into the future than about remembering our deeper connection to it.
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